Moris Blak returns from his debut EP Dead Summer, and continues his reign in violently austere bass music. It's the precision of BPM sequenced dance fused with the bleak, grimy aesthetic philosophy of industrial, the roaring crunch and corrosive sharpness, all pumped through a synthetic heart of flickering neon and ash.
At The End of Exile marks a harsher, oppressive turn for Moris Blak, embracing methodical, crushing rhythms and an aura of distant mechanical malice. It's hard, cold music for an unforgiving world, and you will not escape its grip undamaged. From it's malefic title track, to the cruel sonic vortexes of Cataclysm and Fentanyl Hex, At The End Of Exile will pull you deeper into Moris Blak's unique vision of rhythmic decimation.
supported by 24 fans who also own “At the End of Exile”
Saw Kanga last night in Houston , instantly was entranced by her sound , sucked me into the Kangakult vortex , so glad I got to see her live , should have looked into her sooner as Gary Numan was so supportive of her on the Revolution tour , oh now it’s time to catch up and get further involved Callum Gray